MASTER ARTIST TO PUPIL APPRENTICE TIMELINE
Joseph Francis Tiedemann (b. June 12, 1970 / d.)
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Marvin Mattelson (b. 1947 / d. ) & Bernard Michael Tiedemann (b. July 30, 1928 / d. September 5, 2013) & Jack Endewelt (b. 1935 / d. 2006) & Max Ginsburg (b. 1931 / d.)
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John Frederick Murray (b. / d.) & Richard Alfred Botto (b. 1931 / d.)
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Frank Joseph Reilly (b. August 21, 1906 / d. 1967) & Norman Rockwell (b. 1894 / d. 1978)
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George Brandt Bridgeman (b. 1864 / d. 1943) & William McGregor Paxton (b. 1869 / d. 1941) & Thomas Eakins (b. 1844 / d. June 25, 1916)
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Jean-Léon Gérôme (b. May 11, 1824 / d. January 10, 1904) & Tony Robert-Fleury (b. 1837 / d. 1912)
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Paul DeLaroche (b. July 17, 1797 / d. November 4, 1856)
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Antoine-Jean Gros (b. 1771 / d. 1835) & Jean Auguste Dominique Ingres (b. 1780 / d. 1867) & François-Edouard Picot (b. 1786 / d. 1868)
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Jacques-Louis David (b. April 30, 1748 / d. December 29, 1825) & Jean-Honoré Fragonard (b. April 5, 1732 / d. 1806)
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Francois Boucher (b. September 29, 1703 / d. May 30, 1770)
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François Lemoyne (b. 1688 / d. June 4, 1737)
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Louis Galloche (b. 1670 / d. 1761)
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Louis de Boulongne “Le Jeune / the younger” (b. 1654 / d. 1733)
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Louis de Boulongne “Le Vieux / the elder” (b. 1609 / d. 1674)
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Jacques Blanchard (b. 1600 / d. 1638)
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Horace Le Blanc (b. 1580 / d. 1637) & Nicolas Bollery (b. 1560 / d. 1630)
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Palma Giovane (b. 1548 / d. 1628) Jerome Bollery (b. / d.)
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Palma Vecchio (b. 1480 / d. 1528) Francesco Primaticcio (b. 1504 / d. 1570)
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Giovanni Bellini (b. 1400 / d. 1471) Giulio Romano (b. 1499 / d. 1546)
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Gentile da Fabriano (b. 1378 / d. 1427) Raphael Sanzio (b. 1483 / d. 1520)
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Allegretto Nuzi (b. 1315 / d. 1373) Pietro Perugino (b. 1445 / d. 1523) & Leonardo da Vinci (b. April 15, 1452 / d. 1519)
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Andrea del Verrochio (b. 1435 / d. 1488)
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Donatello di Niccolo di betto Bardi (b. 1386 / d. December 13, 1466)
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Lorenzo Ghiberti (b.1378 / d. December 1, 1455)
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Bartoluccio de Michele (b./ d.)
YELLOW * Indicates a direct artistic linage of academic classical training from master to pupil.
RED * Indicates artists that were other students of the masters listed below them in yellow.
BLUE * Indicates artists who contributed additional training to the pupils above them.
